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Camargo Society : ウィキペディア英語版 | Camargo Society The Camargo Society was a London society which created and produced ballet between 1930 and 1933, giving opportunity to British musicians, choreographers, designers and dancers.〔 Janet Leeper (1945). ''English Ballet'', King Penguin 〕 Its influence was disproportionate to its short life. Dame Ninette de Valois, founder of The Royal Ballet, saw it as "having done much for the cause of English ballet",〔 Ninette de Valois (1937). ''Invitation to the ballet'', The Bodley Head〕 and Encyclopædia Britannica Online credits it with "keeping ballet alive in England during the early 1930s".〔http://global.britannica.com/EBchecked/topic/90469/Camargo-Society〕 ==The scene in 1930== Ballets Russes had held a London season most years but when Sergei Diaghilev died in 1929 the company collapsed, heavily in debt.〔Arnold Haskell (1935). ''Diaghileff'', Gollancz〕〔Serge Lifar (1940). ''Diaghilev'', Putnam〕 Its successor company had not yet been formed. Pavlova's company had given its last London season ever, as it was to die with Pavlova herself in January 1931. Marie Rambert only started the small scale Ballet Club (later Ballet Rambert) in the autumn of 1930 with its first performance in 1931,〔 Lionel Bradley (1946). ''Sixteen Years of Ballet Rambert'', Hinrichsen Edition Ltd 〕 and Ninette de Valois was to found the Vic-Wells (later the Royal Ballet) in 1931 with 6 salaried dancers. 〔 Zoe Anderson (2006). ''The Royal Ballet - 75 years'', Faber and Faber 〕 International Ballet and the Festival Ballet were years away. Britain's best known dancers Alicia Markova and Anton Dolin had been in England since the collapse of Ballets Russes but had no large scale company to dance for. In 1930 serious professional ballet in London was at a low point and in the rest of the country was non-existent.
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